Peer-to-Peer Film Criticism Workshop on Visegrad Film Forum
From 19th to 22nd March, a delegation from the AGRFT Department of Film and Television Studies—Tinkara Uršič Fratina, Alen Golež, and Urban Mihevc—under the supervision of assistant professor Maja Krajnc visited Bratislava, where they held a workshop as part [...]
Reflection on the student film My Own Body (Katica Kozma, 2024) / Katarína Hrašková
If one were to define an eating disorder based on sound, they would most likely know or at least imagine how bulimia or binge eating sounds. But what about anorexia? What does the absence of food and the act [...]
The Weight of Love in the Uncertainty of War / Didem Alparslan
Adam’s Afraid (2024), a Hungarian student film by Mátyás Kovács, takes place during a war in an alternate reality and is infused with a tension that constantly keeps us on edge. But one question lingers throughout: Who is the enemy in [...]
Country Dearest. A Reflection on Young Hungarian Cinema / Olga Yudkina
A government is to a nation what a parent is to a child. This idea has been a useful tool for propaganda throughout time and space, especially during war times. A strong parental figure can provide guidance, but the [...]
Red Nostalgia – Vignettes of un-lived times / Eszter Knopp
Visegrad Film Forum offers a rare opportunity for film universities from the CEE region to come together and showcase their students’ work. This occasion offers not only a comparison of the films themselves and the production culture of their [...]
Accidental Transcendence / Ela Božič
Marina Malysh’s By Love (2024) is a film about change—not the gradual kind, but the kind that happens in an instant, deep within. It follows a terminally ill man, ready to stop treatment, as he informs his father in a near-empty [...]